International Conference “Rethinking Pragmatist Aesthetics”
*Warsaw School of Social Sciences and Humanities, Campus in Wroclaw (Poland)
*
** Theme: Pragmatist aesthetics is a rich theoretical tradition which has
its beginnings in the work of classical pragmatists (most notably, John
Dewey’s 1934 book Art as Experience), and which was rejuvenated in the 80s
and the 90s by such scholars as Richard Rorty, Joseph Margolis, and Richard
Shusterman. The latter’s 1992 book Pragmatist Aesthetics can be seen as a
symbolic moment in the emergence of the second wave of pragmatist
aesthetics, and today, twenty years after its publication, it is perhaps
the right time to rethink pragmatism’s contribution to aesthetic theory.
** The aim of this conference is to reflect on pragmatist aesthetics’
history and current condition, but also on its potential to address the
most pressing problems of contemporary philosophical aesthetics, and to
project the future avenues for its progress. In particular, we welcome
submissions that: provide historical accounts of pragmatist aesthetics’
development; address aesthetic themes in the work of classical pragmatists
(Peirce, James, Dewey, F.C.S. Schiller, etc.) and/or neopragmatists (Rorty,
Goodman, Margolis, Shusterman, Putnam, et al.); deploy a (neo-)pragmatist
perspective in addressing a given aesthetic problem or in interpreting
concrete works of art; provide a comparative analysis of pragmatist
aesthetics and aesthetic theories developed in other philosophical
traditions or in different disciplines – for instance in analytic
philosophy, continental and post-continental thought, evolutionary
psychology, psychoanalysis, etc.
Keynote speaker: Richard Shusterman (Florida Atlantic University)
** Abstracts of between 350 to 500 words and a short author profile should
be sent to prof. Leszek Koczanowicz (leszek@post.pl) or dr. Wojciech
Malecki (wojciech.malecki@wp.pl) no later than May 15th, 2012. The
conference language is English.
I am sooooo tempted to submit something based on my recent work in pragmatist theories of imagination.
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